His tours offer a smattering of memorable missions, including a fast-paced intra-city manhunt through Santorini and several pulse-quickening escape sequences. That said, Mitchell's story isn't as clear-cut as it seems he isn’t simply a Marine-turned-mercenary who travels where Irons tells him to. When the services of the Atlas Corporation are sold to the highest bidder, every country is fair game. It's never been easier for a Call of Duty campaign to justify the series' traditional chapter-by-chapter globetrotting. Marine, but after a catastrophic event during his first mission, he joins Atlas, a private military corporation run by the generically named Jonathan Irons, who is played by a realistically-rendered Kevin Spacey. And while we're at it, let's test your subwoofer with the bass of an explosion and the vibrations of slow-motion melodrama.” This is an introduction that kicks off the wartime journey of protagonist Jack Mitchell, played by Troy Baker. “Let's show the other games how to make a proper entrance. “Welcome back to Call of Duty,” the first chapter seems to say. Sledgehammer Games crafted an opening that does everything a great first chapter is meant to do: it welcomes you with big-budget bravado, offers control tips without excessive hand-holding, and establishes the tone of the campaign. And when you first bear witness to a flying giant snake made up purely of small drones roaming the streets of Seoul, you know this is new science-fictional territory for Call of Duty. It's the perfect futuristic backdrop to introduce Advance Warfare's new movement abilities, which are granted by the soldier-enhancing exosuit introduced in the campaign. This mid-21st-century metropolis is awash in ultra modernity, to a degree I haven’t seen since visiting the economically prosperous version of Tokyo in the 1980s. By the time I finished Call of Duty: Advanced Warfare's single-player mode, I wanted to return to Seoul, South Korea, the setting of the game's first chapter.

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